Sunday, June 26, 2011

Queens Of The Stone Age




Spend now, inside or outside of Olympia, who were greeted by a boisterous reception because Queensland. Path to the place Josh Homme eloquently describes as "like playing inside the cake" might be a touch difficult due to deviations caused by any other brand of royalty, but one thing no doubt: it is not a person to 'internal Olympic regrets now make the effort to see the band is the smallest place in their European tour.

You will not be surprised to learn that the attitude of the QOTSA concert is anything but subtle. This is the musical equivalent of opening a bottle of wine with a wooden mallet: the energetic, seemingly inaccurate even - especially - aggressive and memorable. Since Homme and co-Blast for their recently re-published his debut with the same name, it is clear that they are serious. Edges of the wheels are stacked up with amplifiers, and the sheer force of the lower button of Michael Shuman is shaking the foundations and bring down the public with a relic of Sufjan Stevens' silver confetti.

The opening of 12 songs from the group consisting of a slightly revamped representation of this principle, all are surprisingly strong and a tireless enthusiasm. "Mexicola 'sees the crack in the flow of robotics complete the back-band shooting everything and beating in unison, while" I was a teenage hand model "offers a triumphant energy ball, sending the opening of two dozen lines in a frenzied dance of slam. Throughout the procedure, the man stands triumphant over all, playing a mix of intensity and indifference that comes from a combination of muscle memory and confidence supreme.

And then comes the extras. The evening show was promoted to be completely the fact that the debut heavy, and there is no doubt that Gabrielle is just full of diehard fans themselves, which may be those related to living rarity, but a couple of songs then are Tag the icing on a cake wonderfully rich. The band off the stage only long enough to make the choice to calculate the light is transmitted through the tangle of guitars around, and then take things a notch down on the dirty-rock classic "Make It Wit Chu." "I Never Came" and "Little Sister" to get some of the biggest nights applause, turn things loud and attract the levels of carnage rarely perfect on this side of Fibber is.

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