Luisa Beccaria was diversified for her spring collection. She didn’t send a string of black dresses down the runway or do anything as drastic to her parade of pastel-y party frocks. Instead, she launched a range of hand-blown Venetian glass and collaborated with Citroen on a car covered inside and out in a rose print from Spring line with a 1950’s reflection.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkJmt7KfEg6KCtbtKC54TnQt-NpVwEsk5mLr8CfdJ4IyX-3NEUe91zMdsnv7WM_p3Aul6-HdLTNfZhlMkLn63kPFt4rVMLFWgo2TGJXRi-VDyeveoje8wILOyChYF183TovAjZWVIP4bs/s320/luisa2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVvCiT-y1wKnXHnQOVbkMwUHvPLUJBvL5V-ESAKzscwnv3dcm9k5_i_MzgpIIih_1DtMbXYw8pUZciErlUFs5LMcORbvN8ebnTbEanGqMrPIb5QPSpLgP1j9iWc3XYV20KoReOAWTIaso/s320/luisa1.jpg)
At Fendi, it was a season of wispy fabric, ivory and ecru, off-pastels, and fraying edges, with an added Parisian lingerie twist. There were couple of pairs of chamois-fine pants, and puffy, feathery collages of leather on shoulders of a tulle jacket and a cream silk high-necked play-suit and a dotted tulle shirt with a frilled triangle bra beneath. There were a lot of wood-handled bags that came with a snap-on fabric cover and shoes which were again trenched in fabric.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV2LsDx7gWsKYbGbONS2qyu3LTEVRlpGfBBQuwNCbYMCtCbKkxK2OZxmdkbvgXOnGxRjWNVrkZd1dbvkAiXoJAZuRCQ2mjNRHOz7fWrO6aWyiZ_cbZ_noOg2hbm77CCt1XqXB8vUn9M3E/s320/fendi2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR1P3LA7sex8MMoGUOmYsIB2N5EVMNhkYXF4y4X32Zn4rsc0j7z6uwuSndXNpgC97Gbh0Thv47SoHxQqRJqrqLW4XdjT_KA0kx0rhP4CjBjXbchnjFMq_zdNvidLbYs2f66MkUpCinhdg/s320/fendi1.jpg)
No comments:
Post a Comment